O preto e branco como elemento da linguagem visual no cinema: estudo de caso dos filmes Logan e Logan Noir

Abstract

This study desires to investigate the cinema in black and white and the main objective is to find the meaning of not having collour inside of the film as a visual language form. Beside that, seek to analyse comparatively the films Logan (2017), with collours and Logan Noir (2017), in black and white and understand the use of black and white and what are the meanings and evidences of it in noir version in relation to the original version. Also is persue to find some aspects that relate its nomenclature with the referenced cinematographic genre. Seeking to conclude if black and white justify in Logan Noir version which it is a film that plunges into the characteres pyschological and emotions, while the collour helps to evidence in what kind of physical aspects the character is, which the monochrome representation characterizes the phychological tension of the movie and the character (sic).