Transbordamentos da linguagem: um pensamento sobre a dança cênica na cidade de Bento Gonçalves a partir da desconstrução derridiana

Abstract

The city of Bento Gonçalves-RS (Brazil) has inscriptions in concert dance in safeguarded records in the municipal museum, which are, in general, imagery and phonetic writings dating from the end of the 1950s. This research investigates the tension between dance and writing based on these records of the creative history of dance in Bento Gonçalves. The study aims to provide a reflection on the understanding of a possible overflow in the concept of language, as well as to explore the possibilities regarding different proposals and inscriptions modes in writing considering concert dance as an archive. As its hypothesis, reflections are raised from the overflow of language regarding the possibilities of writing within the context of Bento Gonçalves' concert dance. The theoretical foundation is built from the notions of trace, archive, inheritance and the concept of overflow of language outlined by the philosopher Jacques Derrida, mainly in of Gramatology (1973), Archive Fever: a Freudian Impression (2001) and Thinking out of Sight: Writings on the Arts of the Visible (2012) - which allow the development of a conceptual narrative that pervades language based on the deconstruction - besides Salles, in Unfinished Gesture: artistic creation process (2011), among other authors. The methodology is developed through a descriptive and interpretative approach on the notion of `overflow of the concept of language', and, during the course of the research, textual inscriptions of imagery and documentary records of Bento Gonçalves' artists safeguarded in the municipal museum are analyzed. Also presented in this dissertation are possibilities of inscriptions and archived memories in the body and their relationships with the notions of inheritance and trace, that is, other proposals of writings in dance from the overflow of language. In its corpus, this study brings a set of reflections on language, dance, writing and inheritance in order to demonstrate other ways of understanding with reference to ways of inscription regarding writing in dance and Bento-Gonçalves' dance as an archive. The study is part of the Graduate Program in Language and Culture, with a research line in Language and Culture. [resumo fornecido pelo autor]