Manifestações do insólito na escrita de Silvina Ocampo : uma análise de contos ocampianos publicados na revista Sur

Abstract

This study investigates how the writing of Silvina Ocampo, in the short stories "La siesta en el cedro" (1936), "Autobiografia de Irene" (1944) and "El Médico charme" (1960), published in the Argentine periodical Sur, contributes for the manifestation of a new perspective of the fantastic, in the scenario of Latin American literature of the 20th century, and how the periodical in question allows the visualization of the different phases of the author's writing in these short stories. The investigation also allows us to understand the relevance of the author's writings, in the fantastic, as an important instrument in the expansion of fantastic literature, beyond the usual limits of the traditional todorovian fantastic. The articulation of the fantastic with the press makes it possible to understand the importance of the periodical Sur in the dissemination of Silvina Ocampo's work, since Sur not only operated as a vehicle for disseminating Silvina's works, but also decisively influenced the author's way of writing, as verified by the analysis of the stories in question. In order to fulfill the intended objective, the theoretical approach was based on the fantastic and neo-fantastic literature, and studies about the work of Silvina Ocampo, based on the theories of Filipe Furtado (1980), Tzvetan Todorov (1992), Jaime Alazraki (1990), David Roas (2014), Rosalba Campra (2016), Judith Podlubne (2012), Mariana Enriquez (2018), Natália Biancotto (2015; 2019) and others. [resumo fornecido pelo autor]