As diferenças na estética vocal do canto lírico e do canto popular no canto coral

Abstract

This research is a study on the differences in the practice of singing teachers when developing the vocal aesthetics of works of lyrical and popular singing within the scope of choral singing. After an introductory explanation about the voice production, definitions of choral singing and the characteristics that involve vocal aesthetics are presented, in addition to the following categories that encompass it: timbre, vocal registration, homogeneity and balance, resonance. The research approach was qualitative through an exploratory study. The method was the study of multiple cases that counted on the report of three professionals with more than ten years of experience in choral preparation. Semi-structured interviews were conducted to collect data on the experience of singing teachers in vocal preparation. From the analysis of the interviewees' discourse, it was possible to conclude that the vocal technique for the development or improvement of the vocal quality of the singers is usually performed thinking about the construction of the aesthetics of the repertoire in question and that the most susceptible aspects are the adjustments supra-glottis, the shape of the vowels, the articulation and the work with different types of timbres. [resumo fornecido pelo autor]