| dc.description | Esse trabalho estuda a questão do autor dentro da narrativa, bem como os limites entre os gêneros, ficcional, histórico e jornalístico. Para guiar esse estudo, o seguinte o problema foi verificado: quais são os limites entre ficção, jornalismo e história dentro da arte? Assim, o objetivo principal do trabalho é, a partir da análise da história em quadrinhos Maus, compreender como o autor se coloca dentro da narrativa e, consequentemente, quais seus limites como criador, personagem e indivíduo dentro da narrativa. Para poder chegar à conclusão, foram estudadas a história do jornalismo, da história e a história de histórias em quadrinhos, bem como as individualidades e semelhanças entre elas. Após, foi delimitado o papel do autor dentro de sua própria narrativa, de modo a entender quando criador e criatura, finalmente, tornam-se um só. Para chegar nesse caminho, utilizou-se a metodologia de Análise de Conteúdo, de Laurence Bardin, buscando elucidar as questões do presente trabalho e abrir novas discussões sobre o tema proposto (sic). | pt_BR |
| dc.description.abstract | This work studies the author’s question within the narrative, as well the limits between the genres, fictional historical and journalistic. To guide this study, the following research problem was verified: what are the limits between fiction, journalism and history within art? Thus, the main objective of this work is, from the analysis of MAUS Comic Books (SPIEGELMAN, 1980), looks to understand how the author puts himself within a narrative and, consequently, what his limits as creator, character and individual within the narrative work. In order to reach a conclusion, the history of journalism, of history and the history of comic books, as well as their individualities and similarities, will be studied. Afterwards, the goal will be to delimit the role of the author within his own narrative, in order to understand when the creator and creature finally become one. To achieve this goal, the Content Analysis methodology will be used, using at least three essential steps: pre-analysis, material exploration and treatment of results, seeking to elucidate the guiding questions of the present work and open new discussions about the proposed topic. This work studies the author’s question within the narrative, as well the limits between the genres, fictional historical and journalistic. To guide this study, the following research problem was verified: what are the limits between fiction, journalism and history within art? Thus, the main objective of this work is, from the analysis of MAUS Comic Books (SPIEGELMAN, 1980), looks to understand how the author puts himself within a narrative and, consequently, what his limits as creator, character and individual within the narrative work. In order to reach a conclusion, the history of journalism, of history and the history of comic books, as well as their individualities and similarities, will be studied. Afterwards, the goal will be to delimit the role of the author within his own narrative, in order to understand when the creator and creature finally become one. To achieve this goal, the Content Analysis methodology will be used, using at least three essential steps: pre-analysis, material exploration and treatment of results, seeking to elucidate the guiding questions of the present work and open new discussions about the proposed topic (sic). | pt_BR |
