Maus e a questão do autor : os limites entre ficção, jornalismo e história dentro da arte

Abstract

This work studies the author’s question within the narrative, as well the limits between the genres, fictional historical and journalistic. To guide this study, the following research problem was verified: what are the limits between fiction, journalism and history within art? Thus, the main objective of this work is, from the analysis of MAUS Comic Books (SPIEGELMAN, 1980), looks to understand how the author puts himself within a narrative and, consequently, what his limits as creator, character and individual within the narrative work. In order to reach a conclusion, the history of journalism, of history and the history of comic books, as well as their individualities and similarities, will be studied. Afterwards, the goal will be to delimit the role of the author within his own narrative, in order to understand when the creator and creature finally become one. To achieve this goal, the Content Analysis methodology will be used, using at least three essential steps: pre-analysis, material exploration and treatment of results, seeking to elucidate the guiding questions of the present work and open new discussions about the proposed topic. This work studies the author’s question within the narrative, as well the limits between the genres, fictional historical and journalistic. To guide this study, the following research problem was verified: what are the limits between fiction, journalism and history within art? Thus, the main objective of this work is, from the analysis of MAUS Comic Books (SPIEGELMAN, 1980), looks to understand how the author puts himself within a narrative and, consequently, what his limits as creator, character and individual within the narrative work. In order to reach a conclusion, the history of journalism, of history and the history of comic books, as well as their individualities and similarities, will be studied. Afterwards, the goal will be to delimit the role of the author within his own narrative, in order to understand when the creator and creature finally become one. To achieve this goal, the Content Analysis methodology will be used, using at least three essential steps: pre-analysis, material exploration and treatment of results, seeking to elucidate the guiding questions of the present work and open new discussions about the proposed topic (sic).