A manifestação da sensibilidade na dança como possibilidade de formação humana: um estudo a partir da hermenêutica filosófica

Abstract

The present study proposes to investigate the formative character of dance, close to the Gadamerian hermeneutic perspective, in the manifestation of sensitivity. The research covers the development of three chapters: the first is positioned under the aspects of dance in formation, analyzing the constitution of historicity and the inference of sensitivity to the lived context. The second approaches the concept of experience of art under the Gadamerian approach, as well as the possible articulation with moral action, comprising the formative character of relationships, given the opening to human formation. Following, in the third chapter, the dance is articulated to the hermeneutic structure in the experience of the event of the act, encompassing its saying as a possibility of understanding. It is a text resulting from theoretical research, which is based on the philosophical hermeneutics of Hans-Georg Gadamer, also relying on phenomenological approaches by Maurice Merleau-Ponty. The works of Hans-Georg Flickinger, Nadja Hermann, Vanderlei Carbonara are brought together in order to favor the unfolding of training and formative experiences based on sensitivity. To approach dance and movement, Christine Greiner, Jussara Miller, José Gil, Laurence Louppe, Marcia Tiburi, Marie Bardet, Moshe Feldenkrais, Paul Boucier and Tereza Rocha are used. The research presents reflections on the constitution of formation in the experience of dance, especially in the possibility of understanding it in the face of the essential actions of one's own existence. [resumo fornecido pelo autor]