A cobertura fotográfica da pandemia do coronavírus com pinceladas surrealistas

Abstract

This graduation conclusion work studies Photojournalism during crises periods, giving attention for social isolation caused by the pandemic of COVID-19 coverage. The main subject of this study is the verification of the interferences of the Surrealist Movement in photograph productions published in portals, blogs and social media, such as Instagram. In order to carry out the analysis, the methodological orientation of Iconological Analysis is based on the Vicente (2000) studies. At the end of this study, it is possible to trace a relationship between Photojournalism and Surrealism, even if at first they seem opposite, together they bring new perspectives to the photography universe. [resumo fornecido pelo autor]