Ressonâncias da propaganda ideológica em manifestações cinematográficas da atualidade: uma análise do filme The Batman

Abstract

The present study aims to understand the connection between cinematographic art and ideological propaganda in the film The Batman (2022) from the languages used in the film. This research has five main nuclei: first - the discussion of the concepts of art, cinema and cultural industry, the relationship between the three, and the study of the origin of art and cinema; second- the study and definition of the languages present in cinema; third- the study of the origin of American cinema and understanding of its influence in the cinematographic world; fourth- the study of ideological propaganda, persuasive language and American ideologies; and finally, the analysis of the cinematographic languages of the film The Batman (2022) and the possible ideological advertisements present in the work. For the development of this work, bibliographical research was used as an initial basis and, at the end, a case study of the film The Batman (2022) and film analysis with a qualitative approach. Upon completion of the study, it is concluded about the ability of cinematographic languages to transmit different types of messages, ideas and values. In addition, it is possible to understand that the film is not a created piece, it has several nuances and details. [resumo fornecido pelo autor]